Constellations in the Living Room

Understanding the Ouroboric Nature of America’s Masculinity Complex
Psychological Perspectives (Volume 69, Issue 1 / 2026)

Edwards, B. S. (2026). Constellations in the Living Room: Understanding the Ouroboric Nature of America’s Masculinity Complex. Psychological Perspectives, 69(1), 146–158. https://doi.org/10.1080/00332925.2026.2625630

This article has two primary aims.

First, I briefly introduce my operational framework, Patterns & Positionality (P&P). While P&P is used here to describe dynamics within cultural complex theory, it is not limited to that domain. It is a broader descriptive model for mapping how themes constellate within the self and across relational and social levels. In this article, P&P is applied to illustrate how America’s masculinity complex constellates simultaneously within individuals, within families, within subgroups, and within national discourse. It emphasizes how these layers interact, intermingle, and influence one another in recursive cycles. The aim is not to totalize the phenomenon, but to offer language for tracking how polarized reactions emerge when deeply rooted cultural themes are activated.

Second, I briefly describe masculinity as a cultural complex — not as a problem to be solved, but as a living psychosocial field that moves within and between individuals and groups. I do this within the context of a dinner party discussion, grounding the theory in an ordinary relational setting.

I refer to it as the masculinity complex. Again, I emphasize that this is not because masculinity is pathological, but because it is dynamic, multivalent, and charged with imagery and emotion — in archetypal, historical, and contemporary forms — and shaped across generations, subgroups, and shifting political and cultural contexts. It generates a charge within and between people — sometimes conscious, often less so — and to differing degrees, depending on personal history, cultural context, and the moment in which it is activated.

Like other pervasive cross-cultural and cross-generational themes — such as class, ethnicity, beauty, and sexuality — masculinity is often reduced (or attempts are made to reduce it) by individuals, groups, and even entire cultures to a single truth, perspective, or ideological stance. Yet what has been observed across time and place is that there has never been, nor is there likely ever to be, full consensus, agreement, or a universally shared sense of fairness regarding these themes: how they are portrayed, how they are discussed, how they are enacted, how they are institutionalized, how they are weaponized, or how they are perceived to be suppressed.

Different groups and individuals inevitably identify with different positions within such themes. These positions bind people together and pull them apart. They generate creativity and growth, and they also fuel defensiveness, polarization, and at times destructive behavior. These tensions are not accidental. They are intrinsic to how large cultural themes operate — and, in this case, to what depth psychology describes as a cultural complex.

What matters most to me about this piece is that it attempts to contribute language to something many thinkers across disciplines have long wrestled with: how and why the forces living within themes such as gender, race, and sexuality are so often intertwined with questions of power, morality, and identity — and in turn influence us as individuals, shape our groups, and reverberate through our cultures as a whole.

In that sense, I am not claiming to offer something entirely new. Many have written on these dynamics across time. Like most theories, the hope is simply that this formulation may be useful to ongoing cultural, political, and therapeutic discourse. Humans continue to struggle to articulate what is happening in moments when these themes become activated — when emotion intensifies, positions harden, and dialogue becomes strained.

Rather than prescribing solutions, I aim to offer a descriptive framework. The hope is not to resolve tension, but to hold it more consciously.